THE CANNES GOLD CYBER
LIONS WINNER
THE CANNES GOLD CYBER
LIONS WINNER
Tasked with the challenge to make football more exciting through the Heineken brand, we locked ourselves in a room for 6 months and refused to come out until will cracked it. I can confirm I’m writing this from ‘the outside’.
My creative director and I set out crafting the user experience and visual look and feel of the interface. This type of live response game had never been done before, and especially not on a mobile phone.
Heineken StarPlayer was a first in social media multi-platform gaming as it transformed TV watching into a social interactive experience for football fans. The game taps into the competitive banter of the fans by creating a live, competitive, social TV game experience that can be played from home, the pub or even in the stadium itself.
Fans watched the football on TV while playing StarPlayer in real-time on either desktop or mobile. To score points players anticipate events unfolding on the pitch live and make decisions on what will play out over the next few seconds. Will that free kick go in? Will that shot be saved? Will there be a goal in the next 30 seconds?
It was a beast of a project, made with blood sweat and tears and worth every drop for what we achieved, regardless of awards and recognition.
Client: Heineken
Agency: AKQA London
Role: Senior Art Director
Cannes Golden Cyber Lions
D&AD Yellow Pencil
Bima Awards
Revolution Awards
Clio Awards
FAB Awards
Webby Awards
BRINGING TECH
& NATURE TOGETHER
BRINGING TECH
& NATURE TOGETHER
Audi came to us looking for a campaign to promote their sponsorship of the Hamilton Island Race Week, a yacht race over the Spring months off the coast of Queensland.
I went to work searching for a way to connect Audi to the race in a meaningful, authentic way. High tech cars and yacht racing don’t have much in common except very rich people… or so it seemed.
New Audi car models were about to arrive in Australia at the time and had cutting edge technology, including one patented feature called Audi Pre-Sense. It was an AI driven sensor which could detect and predict a collision before it happened and thus make an evasive move before a human could even react. Using speed and trajectory, it was able to calculate this in real time with its onboard CPU.
In addition, it turns out the Hamilton Race is constantly stopped when a mother and calf humpback whale passes through the strait, after all its right on the annual migration time. Eureka.
Using Audi’s algorithm of Pre-Sense, we create Audi Whale-Sense. Keeping the race going and the whales safe, yacht teams are directed away from the whales path when there is an imminent collision detected with the use of drone pilots and a ground team. We create a short video on the achievement, an emotional story as Audi’s technology enables a better world for humans and nature to coexist.
This was apart of a greater pitch, turns out Audi never awarded a winner, so this was never made.
Client: Audi
Agency: We Are Social
Role: Creative concept
OUR PLANET, YOUR KITCHEN
OUR PLANET, YOUR KITCHEN
Netflix teamed up with Sir David Attenborough to create their first production with him. Yep, they had me at Attenborough too.
The brief was to educate people in ways they can help the environment from leveraging concepts from the series (with a secondary target of promoting the series)
My copywriter and I came up with a food concept, we discovered it was the strongest way individuals can contribute to reducing our carbon footprints and was heavily talked about in the series. So we came up with Our Planet: You Kitchen.
By picking three of the biggest changes we can make to our food (Sugar, beef and palm oil) we created social videos using footage from the series and our own kitchen shoot. In each video we tell a story of how you can change your food habits to better the environment.
A full day of shooting in a professional kitchen prove tough work to get all footage captured but very satisfying to be promoting something positive that could make a real impact.
Client: Netflix
Agency: We Are Social
Role: Creative concept
THE SOCIAL CAMPAIGN
WITH INNUENDOS
THE SOCIAL CAMPAIGN
WITH INNUENDOS
An integrated social activation campaign for Mondelez. They gave the thumbs up to our risqué and daring approach to lure the younger demographic with this tasty proposition to 'Lick for it' to promote Double Stuff Oreos. Our campaign was here to launch this idea of lick racing to settle an argument.
Anyone could submit an argument to the platform that they want to see settled once and for all, the public browse through the arguments and cast their votes with a lick of their tongue and wait to see the final results. The best arguments were honoured with a real packet of Oreos posted to them with their argument baked into the cookies. Brilliant stuff, although really sugary.
The site was fully localised into 7 different markets including Greek cyrillic characters and fully responsive across mobile to retina desktop.
Matt (my copywriter) and I developed an addiction to the Oreos which we are still trying to kick but it was well worth it. Results for the campaign were through the roof and we even had a French radio station adopt the campaign and host daily Lick Races on air.
Just to make a few things clear: We confirmed Predator would beat Terminator in a fight, Empire Strikes Back was the best out of the trilogy and hipster beards with a waxed curly moustache are out.
Client: Mondelez
Agency: AKQA London
Role: Creative team (Senior Art direction with copywriter)
sOCIAL ACTIVATION
sOCIAL ACTIVATION
Netflix briefed us to come up with a social activation to amplify the buzz of the upcoming ST2 release.
So, a few weeks before the launch of the much anticipated second series, we start to weird Sydney out by making the lights flicker on the Opera House. Backed up by some PR press drops of 'Strange' electrical faults with the Opera House.
Then BAM [start Stranger music] the Opera House turns Stranger red one night. The next night people gather to Instagram the moment when, BAM we hit them again, with light projection of the ST xmas lights, which spell out a message for a social media scavenger hunt. Those clever enough to crack the code win tickets to see ST2 at the Opera House.
Each night a new hunt, finding old cassettes with ST2 on it (locate an old cassette player to get the code) to selecting the Stranger Uber (partnership).
The Opera House night starts with a live performance of the much loved theme by a new orchestra collective called 'Stranger Strings'. Warm Eggos handed out in the cinema. Unfortunately it was scaled back to just the Opera House exclusive screening. Its the thought that counts right?
Client: Netflix
Agency: We Are Social
Role: Concept
BURNING MAN DOCUMENTATION TEAM
CAPTURING A SOCIAL PHENOMENON
BURNING MAN DOCUMENTATION TEAM
CAPTURING A SOCIAL PHENOMENON
As a passionate adventurer I found myself at Burning Man in 2011 on a last minute whim. It was love at first art. I returned year after year for my yearly dose of innovation, creativity, reconnection and curiosity.
Soon enough my photography was being noticed by the community and the founding organisation, until they reached out and invited me to join the newly formed Documentation Team. I couldn’t say no.
It’s been one of the greatest experiences and projects I have ever worked on and continuing to work on every year. Burning Man is at the cutting edge of fashion, design, art and hosts some of the world’s most innovative disruptors and thinkers.
I usually don’t have to mention this but since we just met, my annual leave will be from August 24th to September 14 indefinitely.
Can you spot me in the photos below?
Aurora Chasers - GUIDED WORKSHOPS
A PASSION INTO A BUSINESS
Aurora Chasers - GUIDED WORKSHOPS
A PASSION INTO A BUSINESS
After an 8 year obsession with photographing the phenomenal Northern Lights and winning Astronomy Photographer of the Year: Aurorae category, I finally decided to make it into a business! Photographic tuition workshop tours in the Arctic, guided by myself, it’s a great break from the office.
I launched commercial tours in late November 2014 and run them through to 2016. Putting my 8 years of knowledge to use, I was able to create package tours that beat the local guides because I pull on the best of all the locations across Northern Scandinavia.
I’ve had much success with my footage from working with GoPro, being featured on UK TV and winning a stack of prestigious photography competitions as well as currently in the rough edit for BBC’s Frozen Planet 2. And yes, Sir David Attenborough will be narrating over my footage if make footage makes the final cut.
If you don't build your dreams someone will hire you to build theirs. Here's to making a passion into a business!
MINI BUT HUGE
MINI BUT HUGE
One of the largest scale web platforms I have ever worked on - this site had dynamically feature every car of MINI and to work across all browsers, all devices and all markets of the universe. Not a small task.
That said we finally succeeded 4 years from the first pitch date and the site now lives on thanks to future proofing the designs!
CUSTOMISED PRODUCT
AND SITE DESIGN
CUSTOMISED PRODUCT
AND SITE DESIGN
Hosting a stag party, or worse - the actual wedding? Afraid of a catering nightmare? Don't worry, Heineken is here to save you! Impress all of your guests with custom designed Heieneken bottles that can have your designs, messages and images printed on them! Genius!
Not a designer? Fear not, we ensured every occasion was covered and more. And as a special thanks from Heineken, we made our own AKQA bottle for our end of year party that featured all the staffs 400 names on each bottle and everyone had one delivered to their desk one morning. Good times!
PR & SOCIAL CAMPAIGN
PR & SOCIAL CAMPAIGN
Panasonic released their very first Lumix here on this day. Its the grandfather to the current range and featured 8x optical zoom upon release which give the major SLRs a run for their money. Hence, we decided to accentuate the positive!
We scale up everyday objects to a huge size and place them randomly around the cities of the UK over night, then sat back and let the press and social media do the rest!
A giant conker, pigeon, traffic cone, coffee cup and park bench were constructed for the campaign.
A great successful promotion for the Lumix which had over 120 online and offline branded publications from the stunt. The Lumix range still lives on today.
Check out the video below for the journey we took!
GLOBAL PLATFORM
GLOBAL PLATFORM
Such an international product needs an international platform. Available in pretty much every market possible, the Heineken Global platform was no small task.
Heineken is a very iconic beer with an extensive history (dating back to before prohibition in America) which demands a comprehensive site to represent their brand.
With different markets having different local alcohol advertising laws it was a challenge to keep a consistent design and user journey with age gateways and image restrictions, but by the very end - victory worth having.
ALL IDEAS GREAT AND SMALL
ALL IDEAS GREAT AND SMALL
Client: Westpac
Agency: DDB Tribal
Role: Creative concept
A small video social post for Westpac, who said banks are boring? I always like to push brands and give them a warm, entertaining side - after all, the best advertising isn’t advertising. Much time went into finding that right copy line combination.
SECURE BANKING APP SUITE
SECURE BANKING APP SUITE
From iPhone, iPad portrait and landscape to Android to Blackberry, we developed the most comprehensive app suite known to online mobile banking! Scores of developers from all countries came together for 7 months while we produced not only a 100% secure app suite, but an app suite that was slick, animated, beautifully designed and well executed.
The app also had to be completely re-skinned for RBS, Ulster and Isle of Man Bank. Any content errors would be replicated across all platforms, editions, devices and orientations - leaving no room for any mistakes. Most people don't get excited about online banking but I was!
BOTTOM DRAW: TUBE AD
BOTTOM DRAW: TUBE AD
Tube ads are effective because the copy has a much higher percentage of full reads compared to magazine or billboard ads as commuters occupy themselves with anything they can see.
This pro bona work was satisfying to make and brings those positive fulfilment vibes that your work is actually helping someone rather than selling, something don't usual get in our industry.